Showing posts with label Losers. Show all posts
Showing posts with label Losers. Show all posts

Saturday, August 30, 2014

Summer box office winners and losers

Summer movies 2014: 5 things we learned - CNN.comvar cnnCurrTime=new Date(1409403058000),cnnCurrHour=8,cnnCurrMin=50,cnnCurrDay="Sat",cnnIsIntl=true,clickID=212106,cnn_cvpAdpre="edition.",cnnCVPAdSectionT1="edition.cnn.com_entertainment_t1",cnnCVPAdSectionInPage="edition.cnn.com_entertainment_inpage",cnnShareUrl="%2F2014%2F08%2F29%2Fshowbiz%2Fmovies%2Fsummer-movies-winners-losers%2Findex.html",cnnShareTitle="Summer%20movies%202014%3A%205%20things%20we%20learned",cnnShareDesc="",cnnFirstPub=new Date('Friday Aug 29 06:38:35 EDT 2014'),cnnSectionName="entertainment",sectionName="entertainment",cnnSubSectionName="ent : movies",cnnPageType="Story",cnnBrandingValue="default";cnnPartnerValue="";cnnOmniBranding="",cnnAuthor="Todd Leopold, CNN",disqus_category_id=207582,disqus_identifier="/2014/08/29/showbiz/movies/summer-movies-winners-losers/index.html",disqus_title="Summer movies 2014: 5 things we learned",cnn_edtnswtchver="edition",cnnIsStoryPage=true,cnn_metadata = {},cnn_shareconfig = [];cnn_metadata = {section: ["entertainment","ent : movies"],friendly_name: "Summer movies 2014: 5 things we learned",template_type: "content",template_type_content: "gallery",business: {cnn: {page: {author: "Todd Leopold, CNN",broadcast_franchise: "",video_embed_count: "0",publish_date: "2014/08/29",photo_gallery: "Summer movies 2014: 5 things we learned"},video: {video_player: ""}}},user: {authenticated: "",segment: {age: "",zip: "",gender: ""}}};if (typeof(cnnOmniPartner) !== "undefined") {if (cnn_metadata.template_type_content === "") {cnn_metadata.template_type_content = "partner";}}var photo_gallery = "Summer movies 2014: 5 things we learned";if(typeof CNN==='undefined'){var CNN=Class.create();}CNN.expandableMap=[''];function _loginOptions(){};var disqus_url=(typeof disqus_identifier!=='undefined') ? 'http://www.cnn.com/2014/08/29/showbiz/movies/summer-movies-winners-losers/index.html' : 'http://www.cnn.com'+location.pathname;cnnad_newTileIDGroup(['970x66_top','300x250_rgt','300x250_rgt2','336x280_rgt','336x850_rgt','300x150_rgt','728x90_top','728x90_bot','BG_Skin','120x90_bot1','120x90_bot2','120x90_bot3']);cnnad_newTileIDGroup(['607x95_adlinks','336x280_adlinks']);Skip to main contentCNNEDITION:  INTERNATIONALU.S.MÉXICOARABICTV:  CNNiCNN en EspañolSet edition preferenceSign upLog in//Event.observe(window, 'load', function() {//$('hdr-search-box').focus();//});#hdr-editions a { text-decoration:none; }#cnn_hdr-editionS { text-align:left;clear:both; }#cnn_hdr-editionS a { text-decoration:none;font-size:10px;top:7px;line-height:12px;font-weight:bold; }#hdr-prompt-text b { display:inline-block;margin:0 0 0 20px; }#hdr-editions li { padding:0 10px; }#hdr-editions ul li.no-pad-left span { font-size:12px; }.hdr-arrow-intl, .hdr-arrow-us, .hdr-arrow-us2 { left:148px; }.hdr-arrow-us2 { left:180px; }HomeVideoWorldU.S.AfricaAsiaEuropeLatin AmericaMiddle EastBusinessWorld SportEntertainmentTechTraveliReportSHARE THISPrintEmailMore sharingRedditStumbleUponDelicious/* push in config for this share instance */cnn_shareconfig.push({"id" : "cnn_sharebar1","url" : "http://www.cnn.com/2014/08/29/showbiz/movies/summer-movies-winners-losers/index.html","title" : "Summer movies 2014: 5 things we learned"});Summer movies 2014: 5 things we learnedBy Todd Leopold, CNNAugust 29, 2014 -- Updated 2238 GMT (0638 HKT)window.CNN = window.CNN || {};(function setupContentMeta(ns) {ns.ContentMetadata = ns.ContentMetadata || {};ns.ContentMetadata.pageTopGallery = {};}(CNN));if (typeof cnnArticleGallery=="undefined"){var cnnArticleGallery={};if(typeof cnnArticleGallery.currentImageList=="undefined"){cnnArticleGallery.currentImageList=[];}}var expGalleryPT00=new ArticleExpandableGallery();expGalleryPT00.setImageCount(13);expGalleryPT00.setAdsRefreshCount(3);//cnn_adbptrackpgalimg("Summer box office winners and losers", 1);.cnn_html_slideshow_metadata > .cnn_html_media_utility::before{color:red;content:'>>';font-size:9px;line-height:12px;padding-right:1px}.cnnstrylccimg640{margin:0 27px 14px 0}.captionText{filter:alpha(opacity=100);opacity:1}.cnn_html_slideshow_media_caption a,.cnn_html_slideshow_media_caption a:visited,.cnn_html_slideshow_media_caption a:link,.captionText a,.captionText a:visited,.captiontext a:link{color:#004276;outline:medium none}.cnnVerticalGalleryPhoto{margin:0 auto;padding-right:68px;width:270px}It wasn't the greatest summer for Hollywood -- box office was down 25% from last year's record -- but it could have been worse if it weren't for <strong> the summer's top hit (which will likely be the year's top grosser by Labor Day). It has made $257 million and been beloved by critics as well, with a RottenTomatoes.com approval rating of 92%. With winter's "Lego Movie" also to his credit, star Chris Pratt, pictured, has emerged as 2014's top new star. (Box office as of 8/27.)" border="0" height="360" id="articleGalleryPhoto001" style="margin:0 auto;" width="640"/>It wasn't the greatest summer for Hollywood -- box office was down 25% from last year's record -- but it could have been worse if it weren't for "Guardians of the Galaxy," the summer's top hit (which will likely be the year's top grosser by Labor Day). It has made $257 million and been beloved by critics as well, with a RottenTomatoes.com approval rating of 92%. With winter's "Lego Movie" also to his credit, star Chris Pratt, pictured, has emerged as 2014's top new star. (Box office as of 8/27.)cnnArticleGallery.currentImageList[cnnArticleGallery.currentImageList.length]={"currentPicture":true,"x":0,"y":0,"pos":1,"title":"Summer box office winners and losers"}<strong> was scorched by critics -- 18% on the Tomatometer -- and had the poorest domestic showing ($244 million) of any "Transformers" film. But director Michael Bay is still laughing all the way to the bank: The film has made $821 million overseas and set a record in China." border="0" height="360" id="articleGalleryPhoto002" style="margin:0 auto;display:none" width="640"/>"Transformers: Age of Extinction" was scorched by critics -- 18% on the Tomatometer -- and had the poorest domestic showing ($244 million) of any "Transformers" film. But director Michael Bay is still laughing all the way to the bank: The film has made $821 million overseas and set a record in China.cnnArticleGallery.currentImageList[cnnArticleGallery.currentImageList.length]={"currentPicture":false,"x":0,"y":0,"pos":2,"title":"Summer box office winners and losers"}Star vehicles were a tough sell this summer, but Angelina Jolie's <strong> despite middling reviews, emerged as a solid hit, with $238 million domestically." border="0" height="360" id="articleGalleryPhoto003" style="margin:0 auto;display:none" width="640"/>Star vehicles were a tough sell this summer, but Angelina Jolie's "Maleficent," despite middling reviews, emerged as a solid hit, with $238 million domestically.cnnArticleGallery.currentImageList[cnnArticleGallery.currentImageList.length]={"currentPicture":false,"x":0,"y":0,"pos":3,"title":"Summer box office winners and losers"}<strong> proved that sequels didn't have to be the same old-same old -- mainly by making fun of the fact that it was, indeed, the same old-same old. The Jonah Hill-Channing Tatum vehicle earned $190 million (on a $50 million budget) and scored 84% on the Tomatometer." border="0" height="360" id="articleGalleryPhoto004" style="margin:0 auto;display:none" width="640"/>"22 Jump Street" proved that sequels didn't have to be the same old-same old -- mainly by making fun of the fact that it was, indeed, the same old-same old. The Jonah Hill-Channing Tatum vehicle earned $190 million (on a $50 million budget) and scored 84% on the Tomatometer.cnnArticleGallery.currentImageList[cnnArticleGallery.currentImageList.length]={"currentPicture":false,"x":0,"y":0,"pos":4,"title":"Summer box office winners and losers"}Young adult adaptations continued their hot streak, with<strong> based on the popular novel, making $124 million. Shailene Woodley and Ansel Elgort were praised for their performances; the film rates 80% on the Tomatometer." border="0" height="360" id="articleGalleryPhoto005" style="margin:0 auto;display:none" width="640"/>Young adult adaptations continued their hot streak, with "The Fault in Our Stars," based on the popular novel, making $124 million. Shailene Woodley and Ansel Elgort were praised for their performances; the film rates 80% on the Tomatometer.cnnArticleGallery.currentImageList[cnnArticleGallery.currentImageList.length]={"currentPicture":false,"x":0,"y":0,"pos":5,"title":"Summer box office winners and losers"}Perhaps the year's most talked-about film is <strong> Richard Linklater's story of a boy (Ellar Coltrane, right, with Lorelai Linklater and Ethan Hawke) growing up. It was filmed over the course of 12 years, so Coltrane really did grow up during production. The film has 99% critical approval and has made $16 million at the box office on a tiny budget. It has been touted as an Oscar hopeful." border="0" height="360" id="articleGalleryPhoto006" style="margin:0 auto;display:none" width="640"/>Perhaps the year's most talked-about film is "Boyhood," Richard Linklater's story of a boy (Ellar Coltrane, right, with Lorelai Linklater and Ethan Hawke) growing up. It was filmed over the course of 12 years, so Coltrane really did grow up during production. The film has 99% critical approval and has made $16 million at the box office on a tiny budget. It has been touted as an Oscar hopeful.cnnArticleGallery.currentImageList[cnnArticleGallery.currentImageList.length]={"currentPicture":false,"x":0,"y":0,"pos":6,"title":"Summer box office winners and losers"}Despite solid reviews -- 90% approval at Rotten Tomatoes -- Tom Cruise's<strong> flopped domestically, with barely a $100 million gross on a $178 million budget. Overseas, Cruise fared better; the film has made $264 million outside the United States." border="0" height="360" id="articleGalleryPhoto007" style="margin:0 auto;display:none" width="640"/>Despite solid reviews -- 90% approval at Rotten Tomatoes -- Tom Cruise's "Edge of Tomorrow" flopped domestically, with barely a $100 million gross on a $178 million budget. Overseas, Cruise fared better; the film has made $264 million outside the United States.cnnArticleGallery.currentImageList[cnnArticleGallery.currentImageList.length]={"currentPicture":false,"x":0,"y":0,"pos":7,"title":"Summer box office winners and losers"}Moviegoers gave thumbs down to <strong> a sword-and-sandals film based on the Greek myth (and a Steve Moore comic). It made $70 million, despite the presence of star Dwayne "the Rock" Johnson and director Brett Ratner. " border="0" height="360" id="articleGalleryPhoto008" style="margin:0 auto;display:none" width="640"/>Moviegoers gave thumbs down to "Hercules," a sword-and-sandals film based on the Greek myth (and a Steve Moore comic). It made $70 million, despite the presence of star Dwayne "the Rock" Johnson and director Brett Ratner. cnnArticleGallery.currentImageList[cnnArticleGallery.currentImageList.length]={"currentPicture":false,"x":0,"y":0,"pos":8,"title":"Summer box office winners and losers"}Director Clint Eastwood's <strong>must have seemed like a sure-fire project, with its roots in both a hit Broadway musical and the songs of the Four Seasons. But the film, starring, from left, Vincent Piazza, Erich Bergen, John Lloyd Young and Michael Lomenda, got mediocre reviews and made just $47 million." border="0" height="360" id="articleGalleryPhoto009" style="margin:0 auto;display:none" width="640"/>Director Clint Eastwood's "Jersey Boys" must have seemed like a sure-fire project, with its roots in both a hit Broadway musical and the songs of the Four Seasons. But the film, starring, from left, Vincent Piazza, Erich Bergen, John Lloyd Young and Michael Lomenda, got mediocre reviews and made just $47 million.cnnArticleGallery.currentImageList[cnnArticleGallery.currentImageList.length]={"currentPicture":false,"x":0,"y":0,"pos":9,"title":"Summer box office winners and losers"}Two years ago, Seth MacFarlane's "A Million Ways to Die in the West," directed, written by and starring MacFarlane, right, flopped, making just $43 million and scoring a dismal 33% on the Tomatometer." border="0" height="360" id="articleGalleryPhoto0010" style="margin:0 auto;display:none" width="640"/>Two years ago, Seth MacFarlane's "Ted" was a huge hit, making $218 million domestically and more than double that overall. But "A Million Ways to Die in the West," directed, written by and starring MacFarlane, right, flopped, making just $43 million and scoring a dismal 33% on the Tomatometer.cnnArticleGallery.currentImageList[cnnArticleGallery.currentImageList.length]={"currentPicture":false,"x":0,"y":0,"pos":10,"title":"Summer box office winners and losers"}The sizzling performance of Chadwick Boseman, center, as James Brown wasn't enough to make <strong>into a hit. It's grossed $29 million on a $30 million budget. " border="0" height="360" id="articleGalleryPhoto0011" style="margin:0 auto;display:none" width="640"/>The sizzling performance of Chadwick Boseman, center, as James Brown wasn't enough to make "Get on Up" into a hit. It's grossed $29 million on a $30 million budget. cnnArticleGallery.currentImageList[cnnArticleGallery.currentImageList.length]={"currentPicture":false,"x":0,"y":0,"pos":11,"title":"Summer box office winners and losers"}The third time wasn't even close to the charm for <strong>which rounded up its all-star action cast and grossed less than $30 million. (It has done even worse overseas.) " border="0" height="360" id="articleGalleryPhoto0012" style="margin:0 auto;display:none" width="640"/>The third time wasn't even close to the charm for "The Expendables 3," which rounded up its all-star action cast and grossed less than $30 million. (It has done even worse overseas.) cnnArticleGallery.currentImageList[cnnArticleGallery.currentImageList.length]={"currentPicture":false,"x":0,"y":0,"pos":12,"title":"Summer box office winners and losers"}The <a href='http://www.rottentomatoes.com/celebrity/adam_sandler/' target='_blank'>critics usually hate</a> Adam Sandler movies. Audiences, however, love them. Not so with <strong> which made $46 million on a $40 million budget. However, overseas it has made $77 million, so if there's a "Blended 2," you'll know who it's for." border="0" height="360" id="articleGalleryPhoto0013" style="margin:0 auto;display:none" width="640"/>The critics usually hate Adam Sandler movies. Audiences, however, love them. Not so with "Blended," which made $46 million on a $40 million budget. However, overseas it has made $77 million, so if there's a "Blended 2," you'll know who it's for.cnnArticleGallery.currentImageList[cnnArticleGallery.currentImageList.length]={"currentPicture":false,"x":0,"y":0,"pos":13,"title":"Summer box office winners and losers"}HIDE CAPTIONSummer box office winners and losersSummer box office winners and losersSummer box office winners and losersSummer box office winners and losersSummer box office winners and losersSummer box office winners and losersSummer box office winners and losersSummer box office winners and losersSummer box office winners and losersSummer box office winners and losersSummer box office winners and losersSummer box office winners and losersSummer box office winners and losers<<<12345678910111213>>>Event.observe(window,'load',function(){if(typeof(cnn_adbptrackpgalimg) == 'function' && typeof(cnnArticleGallery) != 'undefined'){cnn_adbptrackpgalimg(cnnArticleGallery.currentImageList[0].image,"Summer movies 2014: 5 things we learned");}});STORY HIGHLIGHTSSummer 2014 box office down 25% from last yearNo movie topped $300 million, but there were no "Lone Ranger"-level flops, eitherStars weren't big drivers to films; concepts wereChinese market made "Transformers" a blockbuster

(CNN) -- Was it the end of the world at the summer box office?

There certainly was plenty of destruction to go around. Not only were several cities destroyed, including San Francisco ("Godzilla") and Chicago ("Transformers: Age of Extinction"), there was also the kind of destruction Hollywood hates: that of their receipts.

The summer box office, as of the last week in August, was down 25% over summer 2013 -- admittedly a banner year. Nonetheless, with the exceptions of "Guardians of the Galaxy" and a handful of others, there was an "eh" feeling to much of what hit the multiplex between May and August of this year. CGI carnage, gross-out comedy, comic-book saviors: Haven't we seen this movie before?

Consider this: 2014 was the first summer since 2001 in which there was no movie that topped $300 million domestically. Studios like to tout $200 million as a blockbuster benchmark, but $300 million is real high-flying territory: "The Avengers," the "Iron Man" films, "The Dark Knight," films with what they call "legs," that create return business and draw in some lukewarm moviegoers. (To be fair, "Guardians" may still get there.)

As Forbes' Scott Mendelson notes, there were various reasons for the down summer, and not all of them were bad: Some planned films were rescheduled, and others were aimed as much at overseas markets as at the United States. (The mediocre "Amazing Spider-Man 2" barely cracked $200 million in the United States but earned another $500 million in international markets.) Still, the results provide a great deal of food for thought.

Here are a few points to ponder:

1. Don't reach for the stars.

Tom Cruise ("Edge of Tomorrow"), Adam Sandler ("Blended") and Melissa McCarthy ("Tammy") couldn't carry their respective movies to blockbuster territory. Only Angelina Jolie ("Maleficent") succeeded, with Scarlett Johansson ("Lucy") getting an honorable mention. However, it might be worth it to keep an eye on Shailene Woodley, the up-and-coming light of "The Fault in Our Stars." Sure, the film was based on a beloved book, but the film's success caught many observers by surprise -- and Woodley was at the center of it all. With her previous turn in the equally successful "Divergent," she's coming on strong.

2. Blow it up good!

As mentioned, destruction was high on Hollywood's list, especially when Michael Bay is involved. The Bay-directed "Transformers" stomped on the planet again, "Teenage Mutant Ninja Turtles" (produced by Bay) did some damage and "Godzilla" visited San Francisco. But more than destruction, apocalypse was in the air: witness "Edge of Tomorrow," "Dawn of the Planet of the Apes" and "The Purge: Anarchy." And we go to the movies to escape from real life?

3. Comedy was not pretty.

Only two movies topped $100 million domestically among comedies this summer: "Neighbors," with the sneaky, shambling Seth Rogen, and "22 Jump Street." The latter was an interesting twist on the sequel, a follow-up that knew it was a follow-up and took every opportunity to make that the source of the comedy. (In going along for the ride, Jonah Hill, Channing Tatum and Ice Cube were excellent self-parodies.) But "Tammy" tanked, "A Million Ways to Die in the West" found one more way to go and "Sex Tape" was erased. You know what they say: Dying is easy, comedy is hard.

4. Look to the East.

Who needs the USA? "Transformers" had a relatively mediocre turnout in America, grossing less than $250 million -- good enough to become the No. 2 film of the summer, but only No. 4 among the four "Transformers" films. On the other hand, overseas the film picked up $821 million -- including more than $300 million in China, becoming that country's highest-grossing film of all time. That was no accident: China is the second biggest film market in the world, and Hollywood is catering to it more and more.

5. Time is your friend.

Perhaps the most talked-about film of the summer -- at least in markets where it has played -- is "Boyhood," Richard Linklater's ode to one child's growing up. Linklater took a risk in deciding to follow his protagonist, played by Ellar Coltrane, and his other actors for 12 years, trusting that a film shot over that time would come together. It worked beautifully, with a 99% critics' approval on RottenTomatoes.com and early Oscar talk. In the past, watching someone age in a film was a sociological curiosity: witness Michael Apted's "Up" films, which have revisited a group of students every seven years. Now that we're in the YouTube age, in which every part of our lives is put on video, it'll be interesting to see if Linklater's concept becomes more normalized.

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Wednesday, August 27, 2014

Emmys 2014 telecast: Winners, losers, and toss-ups

While Meyers got in some solid (if predictable) jokes about the increasing non-network domination of the Emmys and the perplexing choice to move the ceremony to Monday, a monologue in which one of the early jokes is an acknowledgment that the gags are flailing (''Jokes are like nominees: They can't all be winners''), is going to be an uphill climb. Then again, two of Meyers' goals were ''no twerking'' and ''avoid a trainwreck,'' so perhaps he should consider this monologue a mission accomplished?


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Tuesday, December 24, 2013

Movie winners and losers in 2013

The year in movies 2013 - CNN.comvar cnnCurrTime=new Date(1387893707000),cnnCurrHour=9,cnnCurrMin=1,cnnCurrDay="Tue",cnnIsIntl=true,clickID=212106,cnn_cvpAdpre="edition.",cnnCVPAdSectionT1="edition.cnn.com_specialreports_yearinreview_t1",cnnCVPAdSectionInPage="edition.cnn.com_specialreports_yearinreview_inpage",cnnShareUrl="%2F2013%2F12%2F16%2Fshowbiz%2Fmovies%2Fthe-year-in-movies-2013%2Findex.html",cnnShareTitle="Tentpoles%20falling%2C%20\'Gravity\'%20rising%2C%20money%20spinning%3A%20The%20year%20in%20movies%202013",cnnShareDesc="",cnnFirstPub=new Date('Monday Dec 16 08:09:32 EST 2013'),cnnSectionName="entertainment",sectionName="entertainment",cnnSubSectionName="ent : movies",cnnPageType="Story",cnnBrandingValue="intl.yir";cnnPartnerValue="";cnnOmniBranding="Year in Review",cnnAuthor="Todd Leopold, CNN",disqus_category_id=207582,disqus_identifier="/2013/12/16/showbiz/movies/the-year-in-movies-2013/index.html",disqus_title="Tentpoles falling, \'Gravity\' rising, money spinning: The year in movies 2013",cnn_edtnswtchver="edition",cnnIsStoryPage=true,cnn_metadata = {},cnn_shareconfig = [];cnn_metadata = {section: ["entertainment","ent : movies"],friendly_name: "Tentpoles falling, \'Gravity\' rising, money spinning: The year in movies 2013",template_type: "content",template_type_content: "gallery",business: {cnn: {page: {author: "Todd Leopold, CNN",broadcast_franchise: "",video_embed_count: "0",publish_date: "2013/12/16",photo_gallery: "Tentpoles falling, \'Gravity\' rising, money spinning: The year in movies 2013"},video: {video_player: ""}}},user: {authenticated: "",segment: {age: "",zip: "",gender: ""}}};if (typeof(cnnOmniPartner) !== "undefined") {if (cnn_metadata.template_type_content === "") {cnn_metadata.template_type_content = "partner";}}var photo_gallery = "Tentpoles falling, \'Gravity\' rising, money spinning: The year in movies 2013";if(typeof CNN==='undefined'){var CNN=Class.create();}CNN.expandableMap=[''];function _loginOptions(){};var disqus_url=(typeof disqus_identifier!=='undefined') ? 'http://www.cnn.com/2013/12/16/showbiz/movies/the-year-in-movies-2013/index.html' : 'http://www.cnn.com'+location.pathname;cnnad_newTileIDGroup(['970x66_top','300x250_rgt','300x250_rgt2','336x280_rgt','336x850_rgt','300x150_rgt','728x90_top','728x90_bot','BG_Skin','120x90_bot1','120x90_bot2','120x90_bot3']);cnnad_newTileIDGroup(['607x95_adlinks','336x280_adlinks']);Skip to main content CNN EDITION:  INTERNATIONAL U.S. MÉXICO ARABIC TV:   CNNi CNN en Español Set edition preference Sign up Log in Home Video World U.S. Africa Asia Europe Latin America Middle East Business World Sport Entertainment Tech Travel iReport /* STORY PAGE SPECIFIC CSS */.cnn_stryspccvrgehdr { background:#fff url('http://i.cdn.turner.com/cnn/.e/img/3.0/mosaic/bg_speccov_hdr.gif') 0px 0px repeat-x; }.cnn_stryspcvh1 { position:relative; height:74px;background:transparent url('') 50% 0px no-repeat;overflow:hidden; }.cnn_stryspcvh2 { font:bold 10px/12px arial;color:#666;padding:0 0 2px 0; }.cnn_stryspcvh3 { font-family:arial, helvetica, sans-serif; font-weight:bold; font-size:18px; line-height:21px; }.cnn_stryspcvh4 { position:absolute; z-index:1000; float:left;margin:30px 0 0 10px;display:inline; }.cnn_stryspcvh5 { float:right;margin:30px 10px 0 0;display:inline;text-align:right; }.cnn_stryspcvh20 { padding:0 0 2px 0; }.cnn_stryspccvrgebot { height:3px; background:#e6e6e6; }.cnn_stryspccvh6 { width:100%; height:74px; text-align:center; left:0; }.cnn_stryspccvh6 a { display:block; margin:0 auto; width:304px; height:74px; }Part of complete coverage onYear in ReviewSHARE THISPrintEmailMore sharingRedditStumbleUponDelicious/* push in config for this share instance */cnn_shareconfig.push({"id" : "cnn_sharebar1","url" : "http://www.cnn.com/2013/12/16/showbiz/movies/the-year-in-movies-2013/index.html","title" : "Tentpoles falling, \'Gravity\' rising, money spinning: The year in movies 2013"});Tentpoles falling, 'Gravity' rising, money spinning: The year in movies 2013By Todd Leopold, CNNDecember 18, 2013 -- Updated 2046 GMT (0446 HKT)if (typeof cnnArticleGallery=="undefined"){var cnnArticleGallery={};if(typeof cnnArticleGallery.currentImageList=="undefined"){cnnArticleGallery.currentImageList=[];}}var expGalleryPT00=new ArticleExpandableGallery();expGalleryPT00.setImageCount(20);expGalleryPT00.setAdsRefreshCount(3);//cnn_adbptrackpgalimg("2013 in movies: Winners and losers", 1);.cnn_html_slideshow_metadata > .cnn_html_media_utility::before{color:red;content:'>>';font-size:9px;line-height:12px;padding-right:1px}.cnnstrylccimg640{margin:0 27px 14px 0}.captionText{filter:alpha(opacity=100);opacity:1}.cnn_html_slideshow_media_caption a,.cnn_html_slideshow_media_caption a:visited,.cnn_html_slideshow_media_caption a:link,.captionText a,.captionText a:visited,.captiontext a:link{color:#004276;outline:medium none}.cnnVerticalGalleryPhoto{margin:0 auto;padding-right:68px;width:270px}Winner: Winner: "Iron Man 3" was the top-grossing film of the year.cnnArticleGallery.currentImageList[cnnArticleGallery.currentImageList.length]={"currentPicture":true,"x":0,"y":0,"pos":1,"title":"2013 in movies: Winners and losers"}Winner: Winner: "Gravity" was a widely praised hit. It will figure in awards chatter.cnnArticleGallery.currentImageList[cnnArticleGallery.currentImageList.length]={"currentPicture":false,"x":0,"y":0,"pos":2,"title":"2013 in movies: Winners and losers"}Winner: Winner: "Fast & Furious 6" was the most successful film of what's become a very profitable series.cnnArticleGallery.currentImageList[cnnArticleGallery.currentImageList.length]={"currentPicture":false,"x":0,"y":0,"pos":3,"title":"2013 in movies: Winners and losers"}Winner: Tom Hanks starred in two well-reviewed films, Winner: Tom Hanks starred in two well-reviewed films, "Captain Phillips" (pictured) and "Saving Mr. Banks." He's been in the thick of awards talk.cnnArticleGallery.currentImageList[cnnArticleGallery.currentImageList.length]={"currentPicture":false,"x":0,"y":0,"pos":4,"title":"2013 in movies: Winners and losers"}Winner: Melissa McCarthy had a terrific year, starring in two hit films, Winner: Melissa McCarthy had a terrific year, starring in two hit films, "Identity Thief" and "The Heat."cnnArticleGallery.currentImageList[cnnArticleGallery.currentImageList.length]={"currentPicture":false,"x":0,"y":0,"pos":5,"title":"2013 in movies: Winners and losers"}Winner: Matthew McConaughey was praised for his work in two 2013 films, Winner: Matthew McConaughey was praised for his work in two 2013 films, "Mud" and "Dallas Buyers Club."cnnArticleGallery.currentImageList[cnnArticleGallery.currentImageList.length]={"currentPicture":false,"x":0,"y":0,"pos":6,"title":"2013 in movies: Winners and losers"}Winner: Jennifer Lawrence keeps rolling. The actress won an Oscar in February, and in 2013 had both box-office gold (Winner: Jennifer Lawrence keeps rolling. The actress won an Oscar in February, and in 2013 had both box-office gold ("The Hunger Games: Catching Fire") and critical praise ("American Hustle").cnnArticleGallery.currentImageList[cnnArticleGallery.currentImageList.length]={"currentPicture":false,"x":0,"y":0,"pos":7,"title":"2013 in movies: Winners and losers"}Winner: Amy Adams starred as Lois Lane in the hit Winner: Amy Adams starred as Lois Lane in the hit "Man of Steel" and is getting awards talk for "American Hustle." She also stars in the well-reviewed "Her."cnnArticleGallery.currentImageList[cnnArticleGallery.currentImageList.length]={"currentPicture":false,"x":0,"y":0,"pos":8,"title":"2013 in movies: Winners and losers"}Winner: The much-lauded Winner: The much-lauded "12 Years a Slave" (above) was one of several films about the African-American experience, including "42," "Lee Daniels' The Butler" and "Fruitvale Station."cnnArticleGallery.currentImageList[cnnArticleGallery.currentImageList.length]={"currentPicture":false,"x":0,"y":0,"pos":9,"title":"2013 in movies: Winners and losers"}Winner: At 77, Robert Redford received some of the best reviews of his career for Winner: At 77, Robert Redford received some of the best reviews of his career for "All Is Lost."cnnArticleGallery.currentImageList[cnnArticleGallery.currentImageList.length]={"currentPicture":false,"x":0,"y":0,"pos":10,"title":"2013 in movies: Winners and losers"}Winner: Minions rejoice! Winner: Minions rejoice! "Despicable Me 2" was the top animated film of the year, even topping Pixar's entry, "Monsters University."cnnArticleGallery.currentImageList[cnnArticleGallery.currentImageList.length]={"currentPicture":false,"x":0,"y":0,"pos":11,"title":"2013 in movies: Winners and losers"}Loser: Loser: "The Lone Ranger" was saddled with a big budget but made less than $100 million. It did, however, end up as the butt of many jokes.cnnArticleGallery.currentImageList[cnnArticleGallery.currentImageList.length]={"currentPicture":false,"x":0,"y":0,"pos":12,"title":"2013 in movies: Winners and losers"}Loser: Ryan Reynolds, left, starred in two duds, Loser: Ryan Reynolds, left, starred in two duds, "R.I.P.D." and "Turbo" (for which he supplied the voice of the lead). In Reynolds' defense, "The Croods" -- another voice role for him -- did better.cnnArticleGallery.currentImageList[cnnArticleGallery.currentImageList.length]={"currentPicture":false,"x":0,"y":0,"pos":13,"title":"2013 in movies: Winners and losers"}Loser: Washington. It's not just last in the hearts of its countrymen these days, but two movies -- Loser: Washington. It's not just last in the hearts of its countrymen these days, but two movies -- "Olympus Has Fallen" and "White House Down" -- wrecked some of the city's landmarks.cnnArticleGallery.currentImageList[cnnArticleGallery.currentImageList.length]={"currentPicture":false,"x":0,"y":0,"pos":14,"title":"2013 in movies: Winners and losers"}Loser: Thanks to the bomb Loser: Thanks to the bomb "After Earth," Will Smith is no longer king of the summer movie.cnnArticleGallery.currentImageList[cnnArticleGallery.currentImageList.length]={"currentPicture":false,"x":0,"y":0,"pos":15,"title":"2013 in movies: Winners and losers"}Loser: Loser: "After Earth" director M. Night Shyamalan didn't even get his name above the title, but the film couldn't break his losing streak.cnnArticleGallery.currentImageList[cnnArticleGallery.currentImageList.length]={"currentPicture":false,"x":0,"y":0,"pos":16,"title":"2013 in movies: Winners and losers"}Loser: Cities. It's not enough to bring down a building or two; films such as Loser: Cities. It's not enough to bring down a building or two; films such as "Man of Steel," pictured, "Star Trek Into Darkness" and "Pacific Rim" lay waste to blocks and blocks. If this were the real world, insurance companies would be going bankrupt.cnnArticleGallery.currentImageList[cnnArticleGallery.currentImageList.length]={"currentPicture":false,"x":0,"y":0,"pos":17,"title":"2013 in movies: Winners and losers"}Loser: Director Michael Bay got away from Loser: Director Michael Bay got away from "Transformers' " huge special effects with "Pain and Gain." It tanked. No worries: "Transformers: Age of Extinction" is due out in June 2014.cnnArticleGallery.currentImageList[cnnArticleGallery.currentImageList.length]={"currentPicture":false,"x":0,"y":0,"pos":18,"title":"2013 in movies: Winners and losers"}Loser: Race-car drivers had a poor 2013, with the live-action Formula One racers of Loser: Race-car drivers had a poor 2013, with the live-action Formula One racers of "Rush" and the animated snails of "Turbo" falling short at the box office.cnnArticleGallery.currentImageList[cnnArticleGallery.currentImageList.length]={"currentPicture":false,"x":0,"y":0,"pos":19,"title":"2013 in movies: Winners and losers"}Loser: The Loser: The "Fast & Furious" series faces a number of questions after the death of star Paul Walker, second from right, in November. A seventh film is in production but has been shut down in the wake of the tragedy.cnnArticleGallery.currentImageList[cnnArticleGallery.currentImageList.length]={"currentPicture":false,"x":0,"y":0,"pos":20,"title":"2013 in movies: Winners and losers"}HIDE CAPTION2013 in movies: Winners and losers2013 in movies: Winners and losers2013 in movies: Winners and losers2013 in movies: Winners and losers2013 in movies: Winners and losers2013 in movies: Winners and losers2013 in movies: Winners and losers2013 in movies: Winners and losers2013 in movies: Winners and losers2013 in movies: Winners and losers2013 in movies: Winners and losers2013 in movies: Winners and losers2013 in movies: Winners and losers2013 in movies: Winners and losers2013 in movies: Winners and losers2013 in movies: Winners and losers2013 in movies: Winners and losers2013 in movies: Winners and losers2013 in movies: Winners and losers2013 in movies: Winners and losers<<<1234567891011121314151617181920>>>Event.observe(window,'load',function(){if(typeof(cnn_adbptrackpgalimg) == 'function' && typeof(cnnArticleGallery) != 'undefined'){cnn_adbptrackpgalimg(cnnArticleGallery.currentImageList[0].image,"Tentpoles falling, 'Gravity' rising, money spinning: The year in movies 2013");}});STORY HIGHLIGHTSThe year in movies was both terrible and terrificSome of the biggest successes were also critically acclaimedSeveral of the industry's biggest directors predict an implosion of the studio systemBut that could lead to more creativity

(CNN) -- It was a terrible year for movies.

"The Lone Ranger" was awful -- roasted by critics, avoided by audiences. "Pain and Gain," "After Earth" and "R.I.P.D." also stunk up the multiplex.

There was the usual spate of sequels and franchises and throbbing video-game spectacles, once again provoking the complaint that nobody in Hollywood has an original idea. There were even two movies that destroyed Washington landmarks.

No, it was a great year for movies.

"Gravity" was a rush, a 3-D blockbuster that lived up to its technology and featured a nice character study, too. A lot of "adult" films -- that is, movies with well-drawn characters and capable acting and the kind of stuff that is allegedly box-office poison to 15-year-old boys -- did well at the box office, indicating that the market for well-told stories (in addition to video-game spectacle) isn't dead yet.

Even some of the CGI-laden adventures, the ones often deplored by film snobs, had unusual features. The year's box office leader, "Iron Man 3" -- featuring one of Robert Downey Jr.'s typically offbeat performances -- took an unexpected detour into rural Tennessee, and "The Hunger Games: Catching Fire," helped by its terrific cast, raised the stakes from the sometimes clumsy first film in the series.

And the most important people in Hollywood -- the accountants -- should be happy. Going into the holidays, domestic box office has kept up with 2012's record pace, and international markets have been strong.

So: Terrible or terrific?

Take your pick.

"At the end of the summer there was kind of an exhaustion and a sense of that it had been one lousy movie after another," says Keith Phipps, the editorial director of the movie site The Dissolve. "But I'm not sure the big picture bears that out."

Overall, he says, "it was a really good year."

Ominous predictions

Indeed, it was the summer that really got the naysayers naysaying -- and their criticisms were foreshadowed in the spring by three of the most notable names in Hollywood: the eclectic director Steven Soderbergh and blockbuster kings Steven Spielberg and George Lucas.

In a widely circulated speech, Soderbergh -- the Oscar-winning director of "Traffic," "Contagion" and the "Oceans" films -- told an audience at the San Francisco Film Festival that he believed the studios were "kind of like Detroit before the bailout." The movie business, he said pessimistically, was making it increasingly hard to produce "cinema" instead of product, and was putting too many of its eggs in blockbuster baskets.

A month later, Spielberg predicted the "implosion" of the business, thanks to the same trend.

"There's going to be an implosion where three or four or maybe even a half-dozen megabudget movies are going to go crashing into the ground, and that's going to change the paradigm," he told a group at the University of Southern California. Lucas, sharing a panel with Spielberg, agreed: "The pathway to get into theaters is really getting smaller and smaller."

Summer seemed to prove their point.

"The Lone Ranger" was a huge bust domestically, making less than $90 million on a reported $215 million budget and becoming 2013's version of "Waterworld." (Though, like "Waterworld," it actually didn't do as poorly as imagined -- overseas the film took in $171 million.) "After Earth," Will Smith's latest summer entry, also got crushed by both critics and domestic audiences -- though, like "Ranger," international audiences were kinder.

Even films that did well with both critics and audiences somehow conveyed an image of "I've seen this before." "Star Trek Into Darkness" was voted the worst of the "Star Trek" films (yes, even worse than "Star Trek V: The Final Frontier") at a Las Vegas "Trek" convention, despite solid reviews and box office. "Man of Steel," Zack Snyder's rebooting of the Superman saga, earned catcalls from many critics and fanboys, but nevertheless drummed up almost $300 million domestically.

The problem, producer Lynda Obst told CNN in August, was "tentpole fatigue."

"How many times can you see the same cities being blown up? They all seem to mirror the same sensibility," she said.

From rubble to revival

And yet, even then, there were glimmers of something different -- and audiences responded.

"Lee Daniels' The Butler" opened in August and stunned Hollywood with its strong box office performance, unexpected for a straight drama about the black experience starring two African-American leads. It joined "42" and "Fruitvale Station" as films that put African-Americans front and center and enjoyed rewarding reviews and revenues.

"We're the Millers," a comedy about a drug dealer, a stripper and two teens who pose as a family to smuggle marijuana, was the year's sleeper, a $37 million film (chump change in today's market) that did more than $150 million domestically and topped $250 million total. It was also that rarity, a Jennifer Aniston hit. (It outdid every one of her films except for "Bruce Almighty.")

And then came the fall, with "Gravity," "12 Years a Slave," "Captain Phillips" and "Rush" all earning excellent reviews and awards talk without nine-figure budgets. Not all of them were huge hits -- Ron Howard's "Rush," in particular, failed miserably at the box office -- but they offered some hope that there was still a market for something besides tentpoles.

"I'm optimistic that good films always find a way to get made," said The Dissolve's Phipps.

However, he added that Soderbergh and Spielberg may not necessarily be wrong. "The frequency with which (good films) get made can be a little concerning, and the frequency with which midsized films, or films that don't have a high-concept hook is really concerning to me."

He mentioned the 2012 film "Hope Springs," a well-written piece about a middle-aged couple trying to reignite their marriage, starring Tommy Lee Jones, Meryl Streep and Steve Carell. The film did fairly well with both audiences and critics, but hasn't exactly spawned a rush of similar works.

"You don't see that often enough, I think," Phipps said.

'Nobody knows anything'

As awards season beckons, the old William Goldman adage about Hollywood -- "Nobody knows anything" -- remains in effect.

Is a lesson of 2013 that stars still open movies? Sandra Bullock certainly can -- "Gravity," for all its wonder, was also her show -- and Tom Hanks has "Captain Phillips" and, probably, "Saving Mr. Banks" on his side.

But is Melissa McCarthy a star? She dominated two hits -- the reasonably well-reviewed "The Heat" and the poorly reviewed "Identity Thief." It's that latter that will make studios take notice: a relatively low-budget comedy released in the depths of February that earned $135 million will mean plenty more opportunities for the "Mike & Molly" star.

What about Matthew McConaughey? After years of bland romantic comedies, he earned raves for his performances in both "Mud" and "Dallas Buyers Club" and stands to figure in awards season chatter. But both were indie-level successes. Next year he stars in "Interstellar," the new Christopher Nolan film.

"At some point he took the reins of his career and remembered he was a great actor," Phipps said.

Is a lesson of 2013 that you pump big budgets and CGI into franchise bids? "Iron Man 3," "Man of Steel," "Star Trek Into Darkness" and "Thor: The Dark World" say shoveling money to make money still works; "Lone Ranger," "Oblivion," "After Earth" and "Ender's Game" say you could lose your shirt.

Finally, for all the "adult" films that are hitting theaters now -- Hollywood's traditional prestige season -- it's an open question if the great buzz will translate into big dollars.

Last year a number of well-reviewed movies also hit with audiences; though a number of major films have yet to go into wide release, it's likely that the Coen brothers' "Inside Llewyn Davis," Martin Scorsese's three-hour "The Wolf of Wall Street" and Spike Jonze's "Her" will be tough sells. Fortunately, the studios have "Catching Fire," the second "Hobbit" and "Anchorman 2" to take to the bank.

The future of Hollywood

It has become conventional wisdom to say that rich dramas and innovative comedies have moved to television, leaving the movies to rise and fall with their tentpoles.

"Winning formulas and popular brands (Pixar, Marvel, J.R.R. Tolkien, Johnny Depp) are run into the ground, stripped of novelty and magic in pursuit of profit," New York Times movie critic A.O. Scott wrote in a thoughtful essay in The New York Times Magazine.

But it's worth pointing out that even the famed late-'60s/early '70s golden age wasn't 24-karat perfection. For all the films like "The French Connection" (try that downbeat ending nowadays), "The Godfather," "Chinatown" and "One Flew Over the Cuckoo's Nest," there were the Irwin Allen disaster films (the hokey CGI extravanganzas of their time), mediocre sequels ("Shaft in Africa"?), sloppy Disney films ("The Apple Dumpling Gang") and big-budget misfires ("Lost Horizon," "Tora! Tora! Tora!").

Even sequels and remakes aren't a recent invention. "Great movies aren't made," Warner Bros. founder Harry Warner reportedly once said. "They're remade."

Overall, 2013 may end up with mixed reviews. But that in itself may be a sign that things are changing for the better -- or, at least, for the interesting.

"Like every period of decline -- which is to say like just about every other moment in the past century -- this is an age of wild and restless experimentation," writes Scott.

These days directors and actors have gotten shrewder about "one for me, one for them" and have been quick to turn to unusual producers (Megan Ellison, daughter of Oracle billionaire Larry Ellison, helped fund Paul Thomas Anderson's "The Master," Kathryn Bigelow's "Zero Dark Thirty" and Jonze's "Her"), new ways of distribution and even Kickstarter. As Phipps put it, Hollywood is coping with "unsettled times."

And, like Scott, he sees promise in the chaos.

He mentioned "Upstream Color," one of the most intriguing films of 2013. A fever dream of color and unease that inspired lots of chatter at Sundance, it earned a theatrical run despite its uncommercial bent -- mainly because director Shane Carruth distributed it himself.

"It's sort of a singular case of a filmmaker trying to do things himself," he said. "If the system is putting up roadblocks, then ways of sneaking through the roadblocks is what people are going to have to do."

What would Iron Man think?

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